My work is grounded in over fifty years of dedication to craftsmanship, material integrity, and the quiet dialogue between form and environment. Throughout this time, I have been designing and creating fine furniture that reflects both the natural landscape of Western Australia and a deep respect for traditional woodworking practices.
Working primarily with native timbers such as jarrah and marri, I am continually drawn to their strength, character, and inherent storytelling. Each piece begins with the timber itself, its grain, markings, and history, guiding the design rather than being forced into it. I see my role not as imposing form, but as revealing what already exists within the material.
My designs explore organic symmetry and sculptural balance. Signature works such as the Cone Table embody this approach, where geometry meets softness, stable in structure, yet fluid in presence. I am interested in creating furniture that exists beyond pure function; pieces that are both purposeful and contemplative, sitting at the intersection of utility and art.
The South West of Western Australia has been a constant influence on my practice. Since moving to Yallingup in the early 1980s, I have developed a deep connection to the landscape, its textures, tones, and changing light. These elements subtly inform my work, embedding a sense of place within each piece, even as it travels beyond its origin.
Sustainability is central to my process. I work with carefully selected, locally sourced hardwoods, crafting each piece to endure for generations. In a world of increasing disposability, I believe in creating work that holds longevity both physically and culturally as a quiet resistance to impermanence.
Collaboration remains an important part of my practice. I work closely with clients throughout the design and making process, creating pieces that are not only refined in form but also deeply personal. Each work carries a story shaped by both maker and owner.
While my methods are rooted in tradition, my practice continues to evolve. Even after fifty years, I approach each piece with curiosity refining technique, exploring proportion, and deepening my understanding of material and form. This work has never been about arriving, but about continuing.
Ultimately, my intention is to create furniture that resonates beyond its function, pieces that feel timeless, grounded, and quietly enduring. Objects that live with people, gather stories.