Eleanor Davies

  • Painting
  • Printmaking

Printmaking in my practice grows from a rich background in live performance. Merging intuition, movement, and connection to Country, my work reflects my evolving relationship with material, place, and the stories they tell me.

Studio Details

202 Railway Trc
Margaret River

Opening Hours

  • Sat 12 Sept10am - 4pm
  • Sun 13 Sept10am - 4pm
  • Mon 14 Sept10am - 4pm
  • Tue 15 SeptClosed
  • Wed 16 Sept10am - 4pm
  • Thu 17 Sept10am - 4pm
  • Fri 18 Sept10am - 4pm
  • Sat 19 Sept10am - 4pm
  • Sun 20 Sept10am - 4pm
  • Mon 21 SeptBy appointment
  • Tue 22 SeptClosed
  • Wed 23 Sept10am - 4pm
  • Thu 24 Sept10am - 4pm
  • Fri 25 Sept10am - 4pm
  • Sat 26 SeptClosed
  • Sun 27 SeptClosed
  • Parking suitable for cars
  • Family friendly (suitable for children)

“I am passionate about learning how to decolonise the way I see and understand this country through both my art practice and my everyday life.”
My development as an artist has been shaped by a rich and varied creative life. Before dedicating myself to the visual arts, I spent many years immersed in physical theatre, circus, and community arts—fields that demanded presence, intuition, and a deep awareness of the body in space. These experiences continue to inform my printmaking practice in subtle but powerful ways. The sensitivity to movement I cultivated as a performer now translates into the way I handles materials; the discipline to create new work in my studio process; and my understanding of embodied storytelling enriches the conceptual depth of my work.
Since completing a Diploma of Visual Arts at Margaret River TAFE in 2023, I have focused on refining my voice as a printmaker, particularly my unique mono print process. This shift marked a significant evolution in my creative identity. What began as an exploration quickly became my calling—it allows me to merge intuition, physicality, and connection to place. My prints reveal that I am continually learning, listening, and expanding my practice. Each work reflects not only technical growth but a deepening relationship with Country, materiality, and the possibilities of printmaking as a living, responsive art.