Daughter and granddaughter to landscape painters (mother Isobel Loxton Knight; grandfather Edward Loxton Knight), Georgia has been immersed in drawing and painting since an early age. 
Georgia’s practice explores the fallibility of cognition and the abstract qualities of memory. Diverging from traditionally frail and airy representations of recollection, her practice is punchy and bold, choosing instead to play in the space of distortion and fragmentation.
With the beaches where she lives and lounges as her subject, she paints collages of sun-drenched bathers like the memory shards of a thousand summer days, and large-scale distorted waterscapes that invite the viewer to dive in, as if into a dream.